Subjects Audio Technology presents and explores the fundamental principles and approaches relating to the use of music software and hardware. Chris Scallan Sound Culture examines the history and breadth of sonic arts practice over the 20th century and how it has shaped our experience and appreciation of contemporary sound art and music. Philip Samartzis Studio Recording introduces students to the fundamentals of the recording studio through both theoretical and practical demonstration. Byron Scullin Studio Production outlines some of the techniques and approaches to using the recording studio as a creative tool. Byron Scullin Technology Composition & Perception examines the neural underpinnings of aesthetic experience, challenging students’ established practice through a series of compositional restrictions. Darrin Verhagen Sound Design introduces students to the principles of audiovisual relationships – covering both sound desin and score in film, animation, dance, advertising, theatre, computer games and earcons. Darrin Verhagen The Modern Soundtrack examines the development of contemporary approaches to soundtrack through the analysis of screened case studies. Philip Brophy Immersive Environments examines a range of spatial sound practices including film sound design, installation art, performance and composition to demonstrate the various spatio-temporal interactions that can be forged through surround sound spatialization. Philip Samartzis Live Audiovision explores sound and video in performance utilizing tools such as max/msp, no input mixing, vj-ing and more. Bruce Mowson > next